ii–V–vi in A Major

Pattern: ii – V – vi   Chords: Bm – E – F♯m

Chord Breakdown

NumeralChordTypeFunction
ii Bm (details) minor Supertonic
V E (details) major Dominant
vi F♯m (details) minor Submediant

Harmonic Analysis

This progression moves through Bm (Supertonic) → E (Dominant) → F♯m (Submediant).

A ii–V that resolves deceptively to the vi chord instead of the expected tonic. Jazz arrangers use this to extend a tune's harmonic journey and delay the final resolution for greater emotional impact.

Song Examples

Chord Details

More Progressions in A Major