ii–V–iii–vi in E♭ Major
Pattern: ii – V – iii – vi
Chords: Fm – B♭ – Gm – Cm
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| ii | Fm (details) | minor | Supertonic |
| V | B♭ (details) | major | Dominant |
| iii | Gm (details) | minor | Mediant |
| vi | Cm (details) | minor | Submediant |
Harmonic Analysis
This progression moves through Fm (Supertonic) → B♭ (Dominant) → Gm (Mediant) → Cm (Submediant).
Instead of resolving to I, the dominant moves to iii, which then continues the circle of fifths to vi. This back-cycling technique is a hallmark of bebop and post-bop composition.
Song Examples
- Cherokee — Ray Noble
- Confirmation — Charlie Parker