V–vi–IV–V in B Major
Pattern: V – vi – IV – V
Chords: F♯ – G♯m – E – F♯
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| V | F♯ (details) | major | Dominant |
| vi | G♯m (details) | minor | Submediant |
| IV | E (details) | major | Subdominant |
| V | F♯ (details) | major | Dominant |
Harmonic Analysis
This progression moves through F♯ (Dominant) → G♯m (Submediant) → E (Subdominant) → F♯ (Dominant).
A progression that evades the expected tonic resolution by moving to vi, then circles back through IV to re-establish dominant tension. This technique extends phrases in Classical sonata development sections.
Song Examples
- Symphony No. 94 (Surprise) — Joseph Haydn
- Piano Concerto No. 21 — Wolfgang Amadeus Mozart