I+7–IV in B Major
Pattern: I+7 – IV
Chords: Baug7 – E
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I+7 | Baug7 (details) | augmented seventh | Tonic |
| IV | E (details) | major | Subdominant |
Harmonic Analysis
This progression moves through Baug7 (Tonic) → E (Subdominant).
The I+7–IV progression treats the tonic as a secondary dominant with augmented coloring, creating a chromatic approach to the subdominant. The augmented seventh chord combines the raised fifth's upward pull with the flat seventh's dominant function, creating a powerful forward motion toward IV. This is common in blues and jazz where the I chord is often treated as a dominant seventh moving to IV.
Song Examples
- Stormy Monday — T-Bone Walker
- Red House — Jimi Hendrix
- Baby What You Want Me to Do — Jimmy Reed