I+7–IV
The I+7–IV progression treats the tonic as a secondary dominant with augmented coloring, creating a chromatic approach to the subdominant. The augmented seventh chord combines the raised fifth's upward pull with the flat seventh's dominant function, creating a powerful forward motion toward IV. This is common in blues and jazz where the I chord is often treated as a dominant seventh moving to IV.
Pattern: I+7 – IV
Example in C Major: Caug7 – F
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Song Examples
- Stormy Monday — T-Bone Walker
- Red House — Jimi Hendrix
- Baby What You Want Me to Do — Jimmy Reed