IV–iv–I
A plagal cadence enhanced by modal mixture, darkening the major IV to minor iv before resolving to the tonic. The chromatic lowering of the sixth scale degree creates a poignant, ♭ittersweet quality beloved by Romantic-era composers.
Pattern: IV – iv – I
Example in C Major: F – Fm – C
Choose a Key
Song Examples
- Prelude in C Major, Op. 28 No. 1 — Frederic Chopin
- Liebestraum No. 3 — Franz Liszt