I6–ii–V
The I6–ii–V progression uses the major sixth chord as the tonic before moving into a ii–V turnaround. The warmth of the sixth chord establishes a relaxed home base, and the ii–V motion creates forward momentum that cycles the progression. This turnaround is a staple of jazz standards from the Great American Songbook era, where the sixth chord was the preferred tonic voicing.
Pattern: I6 – ii – V
Example in C Major: C6 – Dm – G
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Song Examples
- The Girl from Ipanema — Jobim
- Satin Doll — Duke Ellington
- L-O-V-E — Nat King Cole