I–vi–ii–V–iii–vi in F Major
Pattern: I – vi – ii – V – iii – vi
Chords: F – Dm – Gm – C – Am – Dm
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | F (details) | major | Tonic |
| vi | Dm (details) | minor | Submediant |
| ii | Gm (details) | minor | Supertonic |
| V | C (details) | major | Dominant |
| iii | Am (details) | minor | Mediant |
| vi | Dm (details) | minor | Submediant |
Harmonic Analysis
This progression moves through F (Tonic) → Dm (Submediant) → Gm (Supertonic) → C (Dominant) → Am (Mediant) → Dm (Submediant).
The I–vi–ii–V–iii–vi progression extends the standard turnaround with an additional iii–vi tail, creating a longer harmonic cycle that delays resolution. The circle-of-fifths motion continues past the expected cadence point, keeping the harmony in perpetual motion. This pattern appears in jazz ballads and sophisticated pop.
Song Examples
- The Way You Look Tonight — Jerome Kern
- Just the Way You Are — Billy Joel