I–vi–IV–ii in F Major
Pattern: I – vi – IV – ii
Chords: F – Dm – B♭ – Gm
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | F (details) | major | Tonic |
| vi | Dm (details) | minor | Submediant |
| IV | B♭ (details) | major | Subdominant |
| ii | Gm (details) | minor | Supertonic |
Harmonic Analysis
This progression moves through F (Tonic) → Dm (Submediant) → B♭ (Subdominant) → Gm (Supertonic).
The I–vi–IV–ii progression descends by thirds through alternating major and minor chords, creating a smooth, cascading motion. Each chord shares two common tones with the next, producing seamless voice leading. This elegant pattern appears in jazz ballads and sophisticated pop arrangements.
Song Examples
- Georgia on My Mind — Ray Charles
- The Nearness of You — Hoagy Carmichael