I–vi–IV–ii in B♭ Major
Pattern: I – vi – IV – ii
Chords: B♭ – Gm – E♭ – Cm
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | B♭ (details) | major | Tonic |
| vi | Gm (details) | minor | Submediant |
| IV | E♭ (details) | major | Subdominant |
| ii | Cm (details) | minor | Supertonic |
Harmonic Analysis
This progression moves through B♭ (Tonic) → Gm (Submediant) → E♭ (Subdominant) → Cm (Supertonic).
The I–vi–IV–ii progression descends by thirds through alternating major and minor chords, creating a smooth, cascading motion. Each chord shares two common tones with the next, producing seamless voice leading. This elegant pattern appears in jazz ballads and sophisticated pop arrangements.
Song Examples
- Georgia on My Mind — Ray Charles
- The Nearness of You — Hoagy Carmichael