I–vi–IV–V–I
A balanced Classical-period progression that passes through the submediant and subdominant before a perfect authentic cadence. This satisfying harmonic arc appears in theme statements across symphonies, sonatas, and chamber works.
Pattern: I – vi – IV – V – I
Example in C Major: C – Am – F – G – C
Choose a Key
Song Examples
- Piano Sonata No. 16 in C Major — Wolfgang Amadeus Mozart
- String Quartet No. 1 in F Major — Ludwig van Beethoven