I–iii–IV–iv–V–I in E♭ Major
Pattern: I – iii – IV – iv – V – I
Chords: E♭ – Gm – A♭ – Abm – B♭ – E♭
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | E♭ (details) | major | Tonic |
| iii | Gm (details) | minor | Mediant |
| IV | A♭ (details) | major | Subdominant |
| iv | Abm (details) | minor | Subdominant |
| V | B♭ (details) | major | Dominant |
| I | E♭ (details) | major | Tonic |
Harmonic Analysis
This progression moves through E♭ (Tonic) → Gm (Mediant) → A♭ (Subdominant) → Abm (Subdominant) → B♭ (Dominant) → E♭ (Tonic).
The I–iii–IV–iv–V–I progression features a chromatic inner voice that descends through the IV-to-iv shift, creating a ♭ittersweet moment of modal mixture. This borrowed minor iv chord adds emotional depth to an otherwise diatonic progression. It is a hallmark of sophisticated pop songwriting.
Song Examples
- Creep — Radiohead
- Space Oddity — David Bowie