I–iii–IV–iv–V–I in B♭ Major
Pattern: I – iii – IV – iv – V – I
Chords: B♭ – Dm – E♭ – Ebm – F – B♭
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | B♭ (details) | major | Tonic |
| iii | Dm (details) | minor | Mediant |
| IV | E♭ (details) | major | Subdominant |
| iv | Ebm (details) | minor | Subdominant |
| V | F (details) | major | Dominant |
| I | B♭ (details) | major | Tonic |
Harmonic Analysis
This progression moves through B♭ (Tonic) → Dm (Mediant) → E♭ (Subdominant) → Ebm (Subdominant) → F (Dominant) → B♭ (Tonic).
The I–iii–IV–iv–V–I progression features a chromatic inner voice that descends through the IV-to-iv shift, creating a ♭ittersweet moment of modal mixture. This borrowed minor iv chord adds emotional depth to an otherwise diatonic progression. It is a hallmark of sophisticated pop songwriting.
Song Examples
- Creep — Radiohead
- Space Oddity — David Bowie