I–ii–iii–IV–V in E♭ Major
Pattern: I – ii – iii – IV – V
Chords: E♭ – Fm – Gm – A♭ – B♭
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | E♭ (details) | major | Tonic |
| ii | Fm (details) | minor | Supertonic |
| iii | Gm (details) | minor | Mediant |
| IV | A♭ (details) | major | Subdominant |
| V | B♭ (details) | major | Dominant |
Harmonic Analysis
This progression moves through E♭ (Tonic) → Fm (Supertonic) → Gm (Mediant) → A♭ (Subdominant) → B♭ (Dominant).
A stepwise ascending motion through the first five diatonic chords. The rising bass line creates a strong sense of building energy and forward momentum, often used in intros and verses.
Song Examples
- Joy Spring — Clifford Brown
- Solar — Miles Davis