I–ii–iii–IV–V in B♭ Major
Pattern: I – ii – iii – IV – V
Chords: B♭ – Cm – Dm – E♭ – F
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | B♭ (details) | major | Tonic |
| ii | Cm (details) | minor | Supertonic |
| iii | Dm (details) | minor | Mediant |
| IV | E♭ (details) | major | Subdominant |
| V | F (details) | major | Dominant |
Harmonic Analysis
This progression moves through B♭ (Tonic) → Cm (Supertonic) → Dm (Mediant) → E♭ (Subdominant) → F (Dominant).
A stepwise ascending motion through the first five diatonic chords. The rising bass line creates a strong sense of building energy and forward momentum, often used in intros and verses.
Song Examples
- Joy Spring — Clifford Brown
- Solar — Miles Davis