I–ii–iii–IV–V–I in F Major
Pattern: I – ii – iii – IV – V – I
Chords: F – Gm – Am – B♭ – C – F
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | F (details) | major | Tonic |
| ii | Gm (details) | minor | Supertonic |
| iii | Am (details) | minor | Mediant |
| IV | B♭ (details) | major | Subdominant |
| V | C (details) | major | Dominant |
| I | F (details) | major | Tonic |
Harmonic Analysis
This progression moves through F (Tonic) → Gm (Supertonic) → Am (Mediant) → B♭ (Subdominant) → C (Dominant) → F (Tonic).
The I–ii–iii–IV–V–I progression ascends stepwise through the major scale's diatonic chords before cadencing home. This scalewise motion creates a sense of inevitable, building momentum toward the dominant resolution. It appears in classical themes and sophisticated pop arrangements.
Song Examples
- Pachelbel's Canon (adapted) — Johann Pachelbel
- Mr. Brightside (bridge) — The Killers