I–♭III–♭VII–IV in A Major
Pattern: I – ♭III – ♭VII – IV
Chords: A – C – G – D
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | A (details) | major | Tonic |
| ♭III | C (details) | major | Mediant |
| ♭VII | G (details) | major | Subtonic |
| IV | D (details) | major | Subdominant |
Harmonic Analysis
This progression moves through A (Tonic) → C (Mediant) → G (Subtonic) → D (Subdominant).
The I–♭III–♭VII–IV progression blends Mixolydian and Dorian borrowings into a four-chord rock loop. The ♭III and ♭VII add modal color while the IV provides a familiar landing point. This pattern is a staple of arena rock and jam-band music.
Song Examples
- Hey Jude (coda) — The Beatles
- Sympathy for the Devil — The Rolling Stones