I–V–vi–iii–IV–I–IV–V in E♭ Major
Pattern: I – V – vi – iii – IV – I – IV – V
Chords: E♭ – B♭ – Cm – Gm – A♭ – E♭ – A♭ – B♭
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | E♭ (details) | major | Tonic |
| V | B♭ (details) | major | Dominant |
| vi | Cm (details) | minor | Submediant |
| iii | Gm (details) | minor | Mediant |
| IV | A♭ (details) | major | Subdominant |
| I | E♭ (details) | major | Tonic |
| IV | A♭ (details) | major | Subdominant |
| V | B♭ (details) | major | Dominant |
Harmonic Analysis
This progression moves through E♭ (Tonic) → B♭ (Dominant) → Cm (Submediant) → Gm (Mediant) → A♭ (Subdominant) → E♭ (Tonic) → A♭ (Subdominant) → B♭ (Dominant).
Pachelbel's Canon progression is an eight-chord descending pattern originally composed around 1680. Its elegant stepwise bass line creates a sense of inevitability and grace that has made it one of the most borrowed progressions in pop music. From wedding ceremonies to chart-topping hits, this extended cycle continues to captivate listeners.
Song Examples
- Canon in D — Johann Pachelbel
- Basket Case — Green Day
- Memories — Maroon 5