I–IV–vi–V–iii–vi in E♭ Major
Pattern: I – IV – vi – V – iii – vi
Chords: E♭ – A♭ – Cm – B♭ – Gm – Cm
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | E♭ (details) | major | Tonic |
| IV | A♭ (details) | major | Subdominant |
| vi | Cm (details) | minor | Submediant |
| V | B♭ (details) | major | Dominant |
| iii | Gm (details) | minor | Mediant |
| vi | Cm (details) | minor | Submediant |
Harmonic Analysis
This progression moves through E♭ (Tonic) → A♭ (Subdominant) → Cm (Submediant) → B♭ (Dominant) → Gm (Mediant) → Cm (Submediant).
The I–IV–vi–V–iii–vi progression weaves through six chords, creating an extended harmonic journey that delays resolution. The iii–vi tail adds unexpected depth to what begins as a standard pop pattern. This longer cycle keeps listeners engaged through its constantly shifting emotional colors.
Song Examples
- Drops of Jupiter — Train
- Daughters — John Mayer