Quarter-Comma Meantone

Pure major thirds (5:4) in the most common Renaissance/Baroque keys.

Quick Facts

Creator
Pietro Aaron (c. 1523)
Historical Era
Renaissance / Early Baroque
Formula Type
fractional-comma
Key Advantage
Pure major thirds (5:4) in the most common Renaissance/Baroque keys.
Key Limitation
A dissonant wolf fifth (between G# and Eb) makes enharmonic keys unusable.
Typical Use
Renaissance and early Baroque keyboard music in flat-key signatures.

Mathematical Basis

Meantone temperament distributes a fraction of the syntonic comma (81:80) across the fifths. Quarter-Comma Meantone distributes one quarter of the comma, flattening each fifth slightly to produce pure (or near-pure) major thirds.

Wolf Fifth Warning

Meantone temperaments produce a "wolf fifth" — an extremely dissonant fifth between the last note in the chain of fifths and the first. In Quarter-Comma Meantone, the wolf fifth occurs between G# and Eb (or Ab and D#). This interval sounds severely out of tune and limits modulation to distant keys. Meantone temperaments work best in keys with few accidentals.

Sound Character

Meantone temperament produces smooth, resonant major thirds that are purer than equal temperament and give Renaissance and early Baroque music its characteristic warm, consonant sound. The wolf fifth — an extremely dissonant fifth between the end and start of the chain of fifths — is the trade-off for this purity in the common keys.

Quarter-Comma Meantone Frequency Table — All 12 Notes at A4=440Hz

Note Equal Temp. (Hz) Quarter-Comma Meantone (Hz) Cents from Equal
C4 261.626 263.181 +10.26
Db4 277.183 275.000 -13.69
D4 293.665 294.246 +3.42
Eb4 311.127 314.838 +20.53
E4 329.628 328.977 -3.42
F4 349.228 352.001 +13.69
Gb4 369.994 367.808 -10.26
G4 391.995 393.549 +6.85
Ab4 415.305 411.221 -17.11
A4 440.000 440.000 0.00
Bb4 466.164 470.794 +17.11
B4 493.883 491.933 -6.85

Frequencies in Hz at A4=440Hz. Positive cents = sharper than equal temperament. Negative = flatter. Formula: f = f_equal × 2(cents/1200)

Historical Context

Quarter-Comma Meantone originates from the Renaissance / Early Baroque era, developed by Pietro Aaron (c. 1523). It was primarily used for Renaissance and early Baroque keyboard music in flat-key signatures..

Meantone temperaments dominated keyboard music from roughly 1500–1700. Composers including William Byrd, Girolamo Frescobaldi, and early Bach likely worked with meantone-tuned instruments.

Who Uses Quarter-Comma Meantone Today

Meantone temperaments are used today by historically-informed performance groups, harpsichordists, and organists specializing in Renaissance and early Baroque music. Period instrument ensembles frequently employ meantone to restore the original sound world of this repertoire.

Tune with Quarter-Comma Meantone — Get Tunable.

Tunable supports Quarter-Comma Meantone and 15 other tuning systems including equal temperament, Pythagorean, just intonation, and well temperaments. See exact Hz values in real-time as you play.

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