Just Intonation (Major) vs. Just Intonation (Minor)

Compare the tuning characteristics of Just Intonation (Major) and Just Intonation (Minor) — cent deviations per note, practical guidance, and historical context.

At a Glance

Feature Just Intonation (Major) Just Intonation (Minor)
Category just-intonation just-intonation
Formula Type just-ratios just-ratios
Historical Era Renaissance / Theory Renaissance / Theory
Key Advantage Perfectly pure major thirds (5:4) and fifths (3:2) in the home key. Pure minor thirds (6:5) and fifths in the home minor key.
Key Limitation Fixed tonal center — modulating to other keys produces out-of-tune intervals. Key-locked: pure tuning degrades when modulating or mixing major and minor passages.
Typical Use A cappella choral music, theoretical analysis, and tuning reference for pure intervals. Theoretical study of minor-mode just tuning and a cappella minor-key vocal music.

Cent Deviations: All 12 Notes vs. Equal Temperament

Positive cents = sharper than equal temperament. Negative = flatter. Difference column shows Just Intonation (Minor) minus Just Intonation (Major): positive means Just Intonation (Minor) is sharper.

Note Just Intonation (Major) (¢) Just Intonation (Minor) (¢) Difference (¢)
C4 0.00 0.00 0.00
Db4 -11.73 -11.73 0.00
D4 +3.91 +3.91 0.00
Eb4 +15.64 +15.64 0.00
E4 -13.69 -13.69 0.00
F4 +1.96 +1.96 0.00
Gb4 -9.78 -9.78 0.00
G4 +1.96 +1.96 0.00
Ab4 -15.64 -15.64 0.00
A4 -15.64 -15.64 0.00
Bb4 +17.60 +17.60 0.00
B4 -11.73 -11.73 0.00

When to Choose Each

Choose Just Intonation (Major) when:

Choose Just Intonation Major for harmonic major key repertoire and music emphasizing pure major thirds (5:4 ratio). Ideal for a cappella choirs, string quartets, and any ensemble exploring beatless major-key consonances.

Choose Just Intonation (Minor) when:

Choose Just Intonation Minor for harmonic minor key repertoire and music emphasizing pure minor thirds (6:5 ratio). Ideal for a cappella choirs, string quartets, and any ensemble exploring beatless minor-key consonances.

Historical Context

Both Just Intonation (Major) and Just Intonation (Minor) use pure whole-number frequency ratios, championed by Renaissance theorist Gioseffo Zarlino as the ideal for vocal polyphony. They differ in the specific set of ratios used — major versus minor — making each optimized for its respective modal orientation.

Just Intonation (Major)
Developed by Gioseffo Zarlino and Renaissance theorists — Renaissance / Theory era
Just Intonation (Minor)
Developed by Renaissance tuning theory — Renaissance / Theory era

Compare Temperaments in Tunable — Get Tunable.

Tunable supports Just Intonation (Major), Just Intonation (Minor), and 14 other tuning systems. Hear the difference in real-time as you play.

15+ Temperaments Metronome + Device Sync Tone Generator Practice Recording Ear Training Practice Score Vibrato Analysis

Related Pages