D♭ Lydian Dominant Scale
Notes in the D♭ Lydian Dominant Scale
| Degree | Name | Note | Frequency (A=440) |
|---|---|---|---|
| 1 | Tonic | D♭ | 277.183 Hz |
| 2 | Supertonic | E♭ | 311.127 Hz |
| 3 | Mediant | F | 349.228 Hz |
| ♯4 | Lydian 4th | G | 391.995 Hz |
| 5 | Dominant | A♭ | 415.305 Hz |
| 6 | Submediant | B♭ | 466.164 Hz |
| ♭7 | Subtonic | B | 493.883 Hz |
Interval Pattern
| Step | Interval | Semitones | From Note | To Note |
|---|---|---|---|---|
| 1 | Whole Step (W) | 2 | D♭ | E♭ |
| 2 | Whole Step (W) | 2 | E♭ | F |
| 3 | Whole Step (W) | 2 | F | G |
| 4 | Half Step (H) | 1 | G | A♭ |
| 5 | Whole Step (W) | 2 | A♭ | B♭ |
| 6 | Half Step (H) | 1 | B♭ | B |
| 7 | Whole Step (W) | 2 | B | D♭ |
Chords Built on Scale Degrees
| Degree | Note | Chord | Quality |
|---|---|---|---|
| 1 | D♭ | D♭ | major |
| 2 | E♭ | E♭ | major |
| 3 | F | F diminished | diminished |
| ♯4 | G | G diminished | diminished |
| 5 | A♭ | A♭ minor | minor |
| 6 | B♭ | B♭ minor | minor |
| ♭7 | B | B augmented | augmented |
Key Signature
5 ♭ — The D♭ key signature uses B♭, E♭, A♭, D♭, G♭.
D♭ Lydian Dominant Scale in Practice
The D♭ Lydian Dominant Scale uses the key signature of 5 flats (B♭, E♭, A♭, D♭, G♭). Db major has five flats and is enharmonically equivalent to C# major. It has a warm, veiled quality and appears in Romantic piano literature and jazz compositions. On guitar, D♭ positions offer comfortable transposing instrument keys for this scale.
The Lydian Dominant scale (mode IV of melodic minor) combines the raised 4th of Lydian with the flat 7th of Mixolydian. It is the preferred jazz scale for unresolved dominant chords. When played starting on D♭, the 7 notes are D♭, E♭, F, G, A♭, B♭, B. In this key the signature has 5 flats (B♭, E♭, A♭, D♭, G♭). Db major uses all five black keys of the piano, placing the hand naturally on the raised keys and creating a legato, connected feel. Modern R&B and neo-soul producers often write in Db because keyboard players find the five-flat hand position physically comfortable for extended improvisations.
Tuning Frequencies Across Temperaments
Frequencies shown at A=440 Hz. View full temperament data for any note.
| Note | Equal Temp. | Pythagorean | Just Intonation |
|---|---|---|---|
| D♭ | 277.183 Hz | 278.437 Hz | 279.067 Hz |
| E♭ | 311.127 Hz | 309.026 Hz | 313.951 Hz |
| F | 349.228 Hz | 347.654 Hz | 348.834 Hz |
| G | 391.995 Hz | 391.111 Hz | 392.438 Hz |
| A♭ | 415.305 Hz | 417.657 Hz | 418.601 Hz |
| B♭ | 466.164 Hz | 463.538 Hz | 470.926 Hz |
| B | 493.883 Hz | 495.000 Hz | 490.548 Hz |
Related Scales
Transposing Instruments: D♭ Lydian Dominant Scale
D♭ is a natural key for B♭ instruments (trumpet, clarinet, tenor sax), which sound a major second lower than written. B♭ instruments reading in C produce D♭ concert pitch. E♭ instruments (alto sax, baritone sax) reading in D♭ sound a major sixth lower.