A Diminished Scale (Whole-Half)

Notes in the A Diminished Scale (Whole-Half)

Degree Name Note Frequency (A=440)
1 Tonic A 440.000 Hz
2 Supertonic B 493.883 Hz
♭3 Minor Mediant C 261.626 Hz
4 Subdominant D 293.665 Hz
♭5 Tritone D# 311.127 Hz
♭6 Minor Submediant F 349.228 Hz
6 Major Submediant F# 369.994 Hz
7 Leading Tone G# 415.305 Hz

Interval Pattern

Formula: W-H-W-H-W-H-W-H
Step Interval Semitones From Note To Note
1 Whole Step (W) 2 A B
2 Half Step (H) 1 B C
3 Whole Step (W) 2 C D
4 Half Step (H) 1 D D#
5 Whole Step (W) 2 D# F
6 Half Step (H) 1 F F#
7 Whole Step (W) 2 F# G#
8 Half Step (H) 1 G# A

Chords Built on Scale Degrees

Degree Note Chord Quality
1 A A diminished diminished
2 B B diminished diminished
♭3 C C diminished diminished
4 D D diminished diminished
♭5 D# D# diminished diminished
♭6 F F diminished diminished
6 F# F# diminished diminished
7 G# G# diminished diminished

Key Signature

3 — The A key signature uses F#, C#, G#.

A Diminished Scale (Whole-Half) in Practice

The A Diminished Scale (Whole-Half) uses the key signature of 3 sharps (F#, C#, G#). A major has three sharps (F#, C#, G#) and a bright, clear sound. It is extremely common in popular music and rock, particularly on guitar, and is easily sung by most voices. On guitar, A positions offer open-string resonance for fingering positions for this scale.

The whole-half diminished scale alternates whole and half steps, creating an 8-note symmetrical scale. It is used over diminished chords and in jazz improvisation.

Tuning Frequencies Across Temperaments

Frequencies shown at A=440 Hz. View full temperament data for any note.

Note Equal Temp. Pythagorean Just Intonation
A 440.000 Hz 440.000 Hz 436.043 Hz
B 493.883 Hz 495.000 Hz 490.548 Hz
C 261.626 Hz 260.740 Hz 261.626 Hz
D 293.665 Hz 293.332 Hz 294.329 Hz
D# 311.127 Hz 309.026 Hz 313.951 Hz
F 349.228 Hz 347.654 Hz 348.834 Hz
F# 369.994 Hz 371.251 Hz 367.911 Hz
G# 415.305 Hz 417.657 Hz 418.601 Hz

Related Scales

Guitar: A Diminished Scale (Whole-Half) Positions

The A key offers 3 sharps (F#, C#, G#) on guitar. Sharp-side keys like A are idiomatic guitar keys because open strings (E, A, D, G, B, E) align with the scale's natural resonance points.