vi–ii–V–I in E♭ Major
Pattern: vi – ii – V – I
Chords: Cm – Fm – B♭ – E♭
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| vi | Cm (details) | minor | Submediant |
| ii | Fm (details) | minor | Supertonic |
| V | B♭ (details) | major | Dominant |
| I | E♭ (details) | major | Tonic |
Harmonic Analysis
This progression moves through Cm (Submediant) → Fm (Supertonic) → B♭ (Dominant) → E♭ (Tonic).
A circle-of-fifths progression beginning on the submediant that drives convincingly to a perfect authentic cadence. This pattern appears throughout the Baroque and Classical periods as a standard harmonic sequence.
Song Examples
- Prelude in C Major, BWV 846 — J.S. Bach
- Canon in D — Johann Pachelbel