vi–V–IV–III in G♯ Minor

Pattern: vi – V – IV – III   Chords: Fm – D♯ – C♯ – C

Chord Breakdown

NumeralChordTypeFunction
vi Fm (details) minor Submediant
V D♯ (details) major Dominant
IV C♯ (details) major Subdominant
III C (details) major Mediant

Harmonic Analysis

This progression moves through Fm (Submediant) → D♯ (Dominant) → C♯ (Subdominant) → C (Mediant).

A descending tetrachord progression rooted in the Phrygian mode, often called the Andalusian cadence. Its characteristic stepwise bass descent from the tonic of the relative minor creates a dramatic, Spanish-inflected sound used across Baroque and Classical traditions.

Song Examples

Chord Details

More Progressions in G♯ Minor