vi–V–IV–III in C♯ Minor
Pattern: vi – V – IV – III
Chords: A♯m – G♯ – F♯ – F
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| vi | A♯m (details) | minor | Submediant |
| V | G♯ (details) | major | Dominant |
| IV | F♯ (details) | major | Subdominant |
| III | F (details) | major | Mediant |
Harmonic Analysis
This progression moves through A♯m (Submediant) → G♯ (Dominant) → F♯ (Subdominant) → F (Mediant).
A descending tetrachord progression rooted in the Phrygian mode, often called the Andalusian cadence. Its characteristic stepwise bass descent from the tonic of the relative minor creates a dramatic, Spanish-inflected sound used across Baroque and Classical traditions.
Song Examples
- Violin Concerto in A minor, BWV 1041 — J.S. Bach
- Recuerdos de la Alhambra — Francisco Tarrega