vi–V–IV–III in A Minor
Pattern: vi – V – IV – III
Chords: F♯m – E – D – C♯
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| vi | F♯m (details) | minor | Submediant |
| V | E (details) | major | Dominant |
| IV | D (details) | major | Subdominant |
| III | C♯ (details) | major | Mediant |
Harmonic Analysis
This progression moves through F♯m (Submediant) → E (Dominant) → D (Subdominant) → C♯ (Mediant).
A descending tetrachord progression rooted in the Phrygian mode, often called the Andalusian cadence. Its characteristic stepwise bass descent from the tonic of the relative minor creates a dramatic, Spanish-inflected sound used across Baroque and Classical traditions.
Song Examples
- Violin Concerto in A minor, BWV 1041 — J.S. Bach
- Recuerdos de la Alhambra — Francisco Tarrega