ii–V–vi in E♭ Major

Pattern: ii – V – vi   Chords: Fm – B♭ – Cm

Chord Breakdown

NumeralChordTypeFunction
ii Fm (details) minor Supertonic
V B♭ (details) major Dominant
vi Cm (details) minor Submediant

Harmonic Analysis

This progression moves through Fm (Supertonic) → B♭ (Dominant) → Cm (Submediant).

A ii–V that resolves deceptively to the vi chord instead of the expected tonic. Jazz arrangers use this to extend a tune's harmonic journey and delay the final resolution for greater emotional impact.

Song Examples

Chord Details

More Progressions in E♭ Major