ii–V–iii–vi in D♭ Major
Pattern: ii – V – iii – vi
Chords: Ebm – A♭ – Fm – Bbm
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| ii | Ebm (details) | minor | Supertonic |
| V | A♭ (details) | major | Dominant |
| iii | Fm (details) | minor | Mediant |
| vi | Bbm (details) | minor | Submediant |
Harmonic Analysis
This progression moves through Ebm (Supertonic) → A♭ (Dominant) → Fm (Mediant) → Bbm (Submediant).
Instead of resolving to I, the dominant moves to iii, which then continues the circle of fifths to vi. This back-cycling technique is a hallmark of bebop and post-bop composition.
Song Examples
- Cherokee — Ray Noble
- Confirmation — Charlie Parker