ii–V–iii–vi in B Major
Pattern: ii – V – iii – vi
Chords: C♯m – F♯ – D♯m – G♯m
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| ii | C♯m (details) | minor | Supertonic |
| V | F♯ (details) | major | Dominant |
| iii | D♯m (details) | minor | Mediant |
| vi | G♯m (details) | minor | Submediant |
Harmonic Analysis
This progression moves through C♯m (Supertonic) → F♯ (Dominant) → D♯m (Mediant) → G♯m (Submediant).
Instead of resolving to I, the dominant moves to iii, which then continues the circle of fifths to vi. This back-cycling technique is a hallmark of bebop and post-bop composition.
Song Examples
- Cherokee — Ray Noble
- Confirmation — Charlie Parker