ii–V–I–vi in E♭ Major
Pattern: ii – V – I – vi
Chords: Fm – B♭ – E♭ – Cm
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| ii | Fm (details) | minor | Supertonic |
| V | B♭ (details) | major | Dominant |
| I | E♭ (details) | major | Tonic |
| vi | Cm (details) | minor | Submediant |
Harmonic Analysis
This progression moves through Fm (Supertonic) → B♭ (Dominant) → E♭ (Tonic) → Cm (Submediant).
A reordering of the classic turnaround that begins with the ii–V resolution before cycling back via the vi chord. This creates a seamless loop ideal for repeated choruses and improvisation.
Song Examples
- Rhythm Changes (bridge) — George Gershwin
- Oleo — Sonny Rollins