ii–V–I–IV
A ii–V–I resolution that continues to the subdominant instead of stopping at the tonic. The IV chord opens up the harmony again, making this ideal for transitions between sections in jazz compositions.
Pattern: ii – V – I – IV
Example in C Major: Dm – G – C – F
Choose a Key
Song Examples
- Take the 'A' Train — Billy Strayhorn
- On Green Dolphin Street — Bronislau Kaper