i–iv–♭VII–V
The i–iv–♭VII–V progression moves through the minor subdominant and subtonic before landing on a dominant V for resolution. The ♭VII-to-V motion creates a distinctive whole-step drop that adds tension before the cadence. This pattern works well in dramatic rock verses and pre-choruses.
Pattern: i – iv – ♭VII – V
Example in A Minor: Am – Dm – G – E
Choose a Key
Song Examples
- Somebody to Love — Queen
- Take Me to Church — Hozier