i–♭VI–♭III–♭VII–iv–V in C Minor
Pattern: i – ♭VI – ♭III – ♭VII – iv – V
Chords: Cm – A♭ – E♭ – B♭ – Fm – G
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| i | Cm (details) | minor | Tonic |
| ♭VI | A♭ (details) | major | Submediant |
| ♭III | E♭ (details) | major | Mediant |
| ♭VII | B♭ (details) | major | Subtonic |
| iv | Fm (details) | minor | Subdominant |
| V | G (details) | major | Dominant |
Harmonic Analysis
This progression moves through Cm (Tonic) → A♭ (Submediant) → E♭ (Mediant) → B♭ (Subtonic) → Fm (Subdominant) → G (Dominant).
The i–♭VI–♭III–♭VII–iv–V is an expansive six-chord minor progression that traverses the entire natural minor landscape before resolving via the harmonic minor dominant. The long harmonic arc creates an epic narrative quality ideal for dramatic compositions. This pattern appears in progressive rock and symphonic metal.
Song Examples
- Bohemian Rhapsody (operatic section) — Queen
- A Matter of Life and Death — Iron Maiden