V–vi–IV–V in E♭ Major
Pattern: V – vi – IV – V
Chords: B♭ – Cm – A♭ – B♭
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| V | B♭ (details) | major | Dominant |
| vi | Cm (details) | minor | Submediant |
| IV | A♭ (details) | major | Subdominant |
| V | B♭ (details) | major | Dominant |
Harmonic Analysis
This progression moves through B♭ (Dominant) → Cm (Submediant) → A♭ (Subdominant) → B♭ (Dominant).
A progression that evades the expected tonic resolution by moving to vi, then circles back through IV to re-establish dominant tension. This technique extends phrases in Classical sonata development sections.
Song Examples
- Symphony No. 94 (Surprise) — Joseph Haydn
- Piano Concerto No. 21 — Wolfgang Amadeus Mozart