V–vi–IV–V
A progression that evades the expected tonic resolution by moving to vi, then circles back through IV to re-establish dominant tension. This technique extends phrases in Classical sonata development sections.
Pattern: V – vi – IV – V
Example in C Major: G – Am – F – G
Choose a Key
Song Examples
- Symphony No. 94 (Surprise) — Joseph Haydn
- Piano Concerto No. 21 — Wolfgang Amadeus Mozart