Imaj7–vi7–ii7–V7 in D♭ Major
Pattern: Imaj7 – vi7 – ii7 – V7
Chords: Dbmaj7 – Bbm7 – Ebm7 – A♭7
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| Imaj7 | Dbmaj7 (details) | major seventh | Tonic |
| vi7 | Bbm7 (details) | minor seventh | Submediant |
| ii7 | Ebm7 (details) | minor seventh | Supertonic |
| V7 | A♭7 (details) | dominant seventh | Dominant |
Harmonic Analysis
This progression moves through Dbmaj7 (Tonic) → Bbm7 (Submediant) → Ebm7 (Supertonic) → A♭7 (Dominant).
The standard I–vi–ii–V turnaround voiced with full seventh chords for authentic jazz color. The major seventh on I and the minor sevenths on vi and ii create rich voice-leading possibilities.
Song Examples
- Blue Moon — Richard Rodgers
- Sunday — Jule Styne