IV–V–vi in D♭ Major
Pattern: IV – V – vi
Chords: G♭ – A♭ – Bbm
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| IV | G♭ (details) | major | Subdominant |
| V | A♭ (details) | major | Dominant |
| vi | Bbm (details) | minor | Submediant |
Harmonic Analysis
This progression moves through G♭ (Subdominant) → A♭ (Dominant) → Bbm (Submediant).
A cadential pattern where the dominant resolves deceptively to the submediant instead of the tonic. This progression is frequently used in both Baroque chorales and Classical-period development sections to shift the tonal center.
Song Examples
- Chorale BWV 153.1 — J.S. Bach
- Symphony No. 40 in G minor — Wolfgang Amadeus Mozart