IV–I–V–I in E♭ Major
Pattern: IV – I – V – I
Chords: A♭ – E♭ – B♭ – E♭
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| IV | A♭ (details) | major | Subdominant |
| I | E♭ (details) | major | Tonic |
| V | B♭ (details) | major | Dominant |
| I | E♭ (details) | major | Tonic |
Harmonic Analysis
This progression moves through A♭ (Subdominant) → E♭ (Tonic) → B♭ (Dominant) → E♭ (Tonic).
The IV–I–V–I progression pairs a plagal cadence (IV–I) with an authentic cadence (V–I), creating a double resolution. Each half provides its own satisfying arrival at the tonic, making this a powerful closing gesture. It is common in hymns, gospel music, and classical finales.
Song Examples
- Amazing Grace — Traditional
- Oh Happy Day — Edwin Hawkins Singers