IV–I–V–I
The IV–I–V–I progression pairs a plagal cadence (IV–I) with an authentic cadence (V–I), creating a double resolution. Each half provides its own satisfying arrival at the tonic, making this a powerful closing gesture. It is common in hymns, gospel music, and classical finales.
Pattern: IV – I – V – I
Example in C Major: F – C – G – C
Choose a Key
Song Examples
- Amazing Grace — Traditional
- Oh Happy Day — Edwin Hawkins Singers