IV–I–V–I

The IV–I–V–I progression pairs a plagal cadence (IV–I) with an authentic cadence (V–I), creating a double resolution. Each half provides its own satisfying arrival at the tonic, making this a powerful closing gesture. It is common in hymns, gospel music, and classical finales.

Pattern: IV – I – V – I   Example in C Major: F – C – G – C

Genre: classical, gospel   Difficulty: beginner

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Song Examples