I–vi–ii–V–iii–vi in D Major
Pattern: I – vi – ii – V – iii – vi
Chords: D – Bm – Em – A – F♯m – Bm
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | D (details) | major | Tonic |
| vi | Bm (details) | minor | Submediant |
| ii | Em (details) | minor | Supertonic |
| V | A (details) | major | Dominant |
| iii | F♯m (details) | minor | Mediant |
| vi | Bm (details) | minor | Submediant |
Harmonic Analysis
This progression moves through D (Tonic) → Bm (Submediant) → Em (Supertonic) → A (Dominant) → F♯m (Mediant) → Bm (Submediant).
The I–vi–ii–V–iii–vi progression extends the standard turnaround with an additional iii–vi tail, creating a longer harmonic cycle that delays resolution. The circle-of-fifths motion continues past the expected cadence point, keeping the harmony in perpetual motion. This pattern appears in jazz ballads and sophisticated pop.
Song Examples
- The Way You Look Tonight — Jerome Kern
- Just the Way You Are — Billy Joel