I–vi–ii–V–iii–vi

The I–vi–ii–V–iii–vi progression extends the standard turnaround with an additional iii–vi tail, creating a longer harmonic cycle that delays resolution. The circle-of-fifths motion continues past the expected cadence point, keeping the harmony in perpetual motion. This pattern appears in jazz ballads and sophisticated pop.

Pattern: I – vi – ii – V – iii – vi   Example in C Major: C – Am – Dm – G – Em – Am

Genre: jazz, pop   Difficulty: advanced

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