I–vi–IV–ii in F♯ Major
Pattern: I – vi – IV – ii
Chords: F♯ – D♯m – B – G♯m
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | F♯ (details) | major | Tonic |
| vi | D♯m (details) | minor | Submediant |
| IV | B (details) | major | Subdominant |
| ii | G♯m (details) | minor | Supertonic |
Harmonic Analysis
This progression moves through F♯ (Tonic) → D♯m (Submediant) → B (Subdominant) → G♯m (Supertonic).
The I–vi–IV–ii progression descends by thirds through alternating major and minor chords, creating a smooth, cascading motion. Each chord shares two common tones with the next, producing seamless voice leading. This elegant pattern appears in jazz ballads and sophisticated pop arrangements.
Song Examples
- Georgia on My Mind — Ray Charles
- The Nearness of You — Hoagy Carmichael