I–vi–IV–ii–V in D♭ Major
Pattern: I – vi – IV – ii – V
Chords: D♭ – Bbm – G♭ – Ebm – A♭
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | D♭ (details) | major | Tonic |
| vi | Bbm (details) | minor | Submediant |
| IV | G♭ (details) | major | Subdominant |
| ii | Ebm (details) | minor | Supertonic |
| V | A♭ (details) | major | Dominant |
Harmonic Analysis
This progression moves through D♭ (Tonic) → Bbm (Submediant) → G♭ (Subdominant) → Ebm (Supertonic) → A♭ (Dominant).
An expanded turnaround that inserts a IV chord for additional harmonic color before the cadential ii–V. The extra chord stretches the phrase and adds a gentle plagal quality before the dominant resolution.
Song Examples
- My Funny Valentine — Richard Rodgers
- There Will Never Be Another You — Harry Warren