I–vi–IV–ii–V in D Major
Pattern: I – vi – IV – ii – V
Chords: D – Bm – G – Em – A
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | D (details) | major | Tonic |
| vi | Bm (details) | minor | Submediant |
| IV | G (details) | major | Subdominant |
| ii | Em (details) | minor | Supertonic |
| V | A (details) | major | Dominant |
Harmonic Analysis
This progression moves through D (Tonic) → Bm (Submediant) → G (Subdominant) → Em (Supertonic) → A (Dominant).
An expanded turnaround that inserts a IV chord for additional harmonic color before the cadential ii–V. The extra chord stretches the phrase and adds a gentle plagal quality before the dominant resolution.
Song Examples
- My Funny Valentine — Richard Rodgers
- There Will Never Be Another You — Harry Warren