I–vi–IV–V in D Major
Pattern: I – vi – IV – V
Chords: D – Bm – G – A
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | D (details) | major | Tonic |
| vi | Bm (details) | minor | Submediant |
| IV | G (details) | major | Subdominant |
| V | A (details) | major | Dominant |
Harmonic Analysis
This progression moves through D (Tonic) → Bm (Submediant) → G (Subdominant) → A (Dominant).
The I–vi–IV–V progression defined the sound of 1950s doo-wop and early rock and roll. Its gentle descent from the tonic through the relative minor creates a warm, nostalgic feeling that has kept it popular well beyond its era. It remains a staple for ballads and sentimental songs.
Song Examples
- Stand by Me — Ben E. King
- Earth Angel — The Penguins
- Every Breath You Take — The Police