I–vi–IV–V–I in F♯ Major
Pattern: I – vi – IV – V – I
Chords: F♯ – D♯m – B – C♯ – F♯
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | F♯ (details) | major | Tonic |
| vi | D♯m (details) | minor | Submediant |
| IV | B (details) | major | Subdominant |
| V | C♯ (details) | major | Dominant |
| I | F♯ (details) | major | Tonic |
Harmonic Analysis
This progression moves through F♯ (Tonic) → D♯m (Submediant) → B (Subdominant) → C♯ (Dominant) → F♯ (Tonic).
A balanced Classical-period progression that passes through the submediant and subdominant before a perfect authentic cadence. This satisfying harmonic arc appears in theme statements across symphonies, sonatas, and chamber works.
Song Examples
- Piano Sonata No. 16 in C Major — Wolfgang Amadeus Mozart
- String Quartet No. 1 in F Major — Ludwig van Beethoven