I–vi–IV–V–I in D♭ Major
Pattern: I – vi – IV – V – I
Chords: D♭ – Bbm – G♭ – A♭ – D♭
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | D♭ (details) | major | Tonic |
| vi | Bbm (details) | minor | Submediant |
| IV | G♭ (details) | major | Subdominant |
| V | A♭ (details) | major | Dominant |
| I | D♭ (details) | major | Tonic |
Harmonic Analysis
This progression moves through D♭ (Tonic) → Bbm (Submediant) → G♭ (Subdominant) → A♭ (Dominant) → D♭ (Tonic).
A balanced Classical-period progression that passes through the submediant and subdominant before a perfect authentic cadence. This satisfying harmonic arc appears in theme statements across symphonies, sonatas, and chamber works.
Song Examples
- Piano Sonata No. 16 in C Major — Wolfgang Amadeus Mozart
- String Quartet No. 1 in F Major — Ludwig van Beethoven