I–iii–IV–iv–V–I in F♯ Major
Pattern: I – iii – IV – iv – V – I
Chords: F♯ – A♯m – B – Bm – C♯ – F♯
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | F♯ (details) | major | Tonic |
| iii | A♯m (details) | minor | Mediant |
| IV | B (details) | major | Subdominant |
| iv | Bm (details) | minor | Subdominant |
| V | C♯ (details) | major | Dominant |
| I | F♯ (details) | major | Tonic |
Harmonic Analysis
This progression moves through F♯ (Tonic) → A♯m (Mediant) → B (Subdominant) → Bm (Subdominant) → C♯ (Dominant) → F♯ (Tonic).
The I–iii–IV–iv–V–I progression features a chromatic inner voice that descends through the IV-to-iv shift, creating a ♭ittersweet moment of modal mixture. This borrowed minor iv chord adds emotional depth to an otherwise diatonic progression. It is a hallmark of sophisticated pop songwriting.
Song Examples
- Creep — Radiohead
- Space Oddity — David Bowie