I–iii–IV–iv–V–I in D♭ Major
Pattern: I – iii – IV – iv – V – I
Chords: D♭ – Fm – G♭ – Gbm – A♭ – D♭
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | D♭ (details) | major | Tonic |
| iii | Fm (details) | minor | Mediant |
| IV | G♭ (details) | major | Subdominant |
| iv | Gbm (details) | minor | Subdominant |
| V | A♭ (details) | major | Dominant |
| I | D♭ (details) | major | Tonic |
Harmonic Analysis
This progression moves through D♭ (Tonic) → Fm (Mediant) → G♭ (Subdominant) → Gbm (Subdominant) → A♭ (Dominant) → D♭ (Tonic).
The I–iii–IV–iv–V–I progression features a chromatic inner voice that descends through the IV-to-iv shift, creating a ♭ittersweet moment of modal mixture. This borrowed minor iv chord adds emotional depth to an otherwise diatonic progression. It is a hallmark of sophisticated pop songwriting.
Song Examples
- Creep — Radiohead
- Space Oddity — David Bowie